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Late-stage capitalist aesthetics: Autotune and human augmentation
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Music
‘Warm Foothills’: the body as creative not created, redeeming the blazon.
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Music
Queering and covering: Ezra Furman’s reinterpretation of ‘I Can Change’
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Leonard Cohen’s genius: poem, lyric and song
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Preview: La Cenerentola
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Church and the Pub: Music is the Glue
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Grace Acladna in Cambridge: Why you should be excited
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Genre and Race at the Grammys
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Homes in Sounds: My playlist classics
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Review: Thrill Me: The Leopold and Loeb Story
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